Garuda & Chofas

The Garuda is a large bird-like creature that appears in both Hinduism and Buddhism.

In both religions, Garuda is known as the “devourer of the serpent” and is known as a powerful entity of the protection against evil. In Thailand, the Garuda often appears in the form of a chofa. Chofas are often used as the roof finials of palaces and monasteries. Their characteristic shape is perhaps the aesthetic epitome of Thai architecture. The term chofa is made of two words: fa meaning, “sky” and cho meaning, “bunch” or “tassel”. Aside from representing Garuda, chofas can also be made in the image of a fish or elephant. They are usually painted gold and have a small bell attached at the end.

Clipper Trading carries unique pieces of Thai temple art. Come visit our store or browse online to see our beautiful chofas!

Sources and Suggestions:

http://en.wikipedia.org/wiki/Chofah
http://www.watthaitemple.com/chofah-ceremony/
http://en.wikipedia.org/wiki/Garuda
http://www.materialspirit.com/Chofa.html

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British Campaign Furniture

“To unite elegance and utility, and blend the useful with the agreeable, has ever been considered a difficult, but an honorable task.” – A. Hepplewhite & Co. (The Cabinet-Maker and Upholsterer’s Guide, 1787)

Here at Clipper we offer authentic British campaign furniture to our clientele. The fascinating history of campaign or “knock-down” furniture is not widely known, and certainly deserves a closer look.

British campaign furniture was used for voyages, traveling, and camping trips throughout the British Empire in the eighteenth and nineteenth centuries. The pieces had to be durable and practical, but still had to reflect the fashionable tastes of the time. Master craftsmen were used to make these pieces, which was no easy endeavor. Elite British military officers wanted to enjoy the same comforts of home, yet needed pieces of furniture that could easy be disassembled and folded up for transport without having to use nails, tacks, or tools. The British military soon became recognized for carrying their culture with them down to the most meticulous detail, no matter where they were stationed in the world. In his book, British Campaign Furniture: Elegance Under Canvas, 1740-1914, Nicholas A. Brawer explains:
Throughout the Empire, British nationals could be found steadfastly, if not obstinately, asserting their Britishness by wearing tight-fitting, European clothes ill-suited to foreign climates…writing letters on carved elm or mahogany desks; sitting in upholstered leather armchairs; and sleeping in cushioned beds. Regardless of the corner of the globe they found themselves, the officers of the British Empire and their ladies acted with almost complete disregard for the culture, geography, and climate in which they were stationed.
Among the most popular designs of campaign furniture were bass-bound military chests. Oftentimes these were split into two sections, which allowed for easy transport. Each half could be hung over the back of a mule. Indeed, compact furniture design became popular both abroad and at home. One could purchase campaign furniture whether he was a member of the military, navy, or just a civilian who had enough money to afford a piece. The upper class of society would often use tables that could be extended or shortened for accommodating different numbers of guests at dinner parties. Lower class society found campaign furniture perfect for solving problems with a lack of household space. Sofas that could expand into beds for guests were among the most convenient pieces for small homes.

Antique collapsible campaign furniture can often be seen in house museums throughout the nation, such as our local Owens-Thomas House Museum, here in Savannah!
Please browse our website or give us a call to learn about what pieces of campaign furniture we have in stock today!

Books Used for Writing this Blog:

British Campaign Furniture: Elegance Under Canvas, 1740-1914 by Nicholas A. Brawer

The Great Wall of China

Similar to learning about the existence of the Great Pyramids or dinosaurs, as school children (and adults) we love the story of the Great Wall of China. We grow up hearing fabulous tales that China’s first emperor built the wall for protection from Northern invaders, and that centuries later astronauts could see the structure from the moon. Now that our schooldays are long gone, perhaps we ought to look at the real history behind the Great Wall of China.

Our story begins with when the British traveled to China in the 1700s looking to negotiate trade relations between the countries. Western eyes thought the structure was one of the greatest achievements made by human hands. Myths soon began to perpetuate over how and when the Wall was construction and just how large it is. Perhaps the first myth that needs to be dispelled about the Wall is its structure. It is not one single wall, but several all built during different periods of time. One of the largest portions and most popular tourist destinations of the wall was constructed during the Ming Dynasty (1368-1644 C.E.). In all, the series of joined walls stretch over 5,000 miles.

The second myth that ought to be examined is the claim that the Great Wall can be seen from the moon. Robert Ripley made the first claim in 1932, decades before space exploration. This claim was again made by Neil Armstrong, however it was later determined that he mistook a cloud formation for the Great Wall. Astronaut Alan Bean corroborated this by saying, “The only thing you can see from the moon is a beautiful sphere, mostly white [clouds], some blue [ocean], patches of yellow [deserts], and every once in a while some green vegetation. No man-made object is visible on this scale. In fact, when first leaving earth's orbit and only a few thousand miles away, no man-made object is visible at that point either."

Regardless of what we may have each been taught in elementary school, one thing is for sure: The Great Wall is still a magnificent sight. Twisting with the rise and fall of mountains and dynasties, it is a testament to the ingenuity of a civilization.

Books Used for Writing this Blog:

The Great Wall: China Against the World 1000 BC – AD 2000 by Julia Lovell
The History of China by David Curtis Wright
The Great Wall of China: From History to Myth by Arthur Waldron

The Chinese New Year

We all grew up knowing that China celebrates the New Year at a different time than us Westerners. But we may wonder, why? And how do they celebrate?

The Chinese have celebrated the Xin Nian and Deng Jie (Chinese Lunar New Year and Lantern Festival) for over four thousand years. The Chinese New Year is celebrated for 15 days between late January and late February. It is based on the lunar calendar and marks the end of winter and the beginning of spring. Every year is represented by one of the twelve Chinese animals: the rat, ox, tiger, rabbit, dragon, snake, horse, sheep or ram, monkey, rooster, dog, and pig. This upcoming New Year will be the Year of the Dragon, which will span January 23, 2012, through February 9, 2013.

To prepare for the holiday, people clean their houses, buy new clothes, make food, and care for the graves of their ancestors. Cleaning is a way for the Chinese to “soak up good luck” for the oncoming New Year. The celebration includes visiting relatives, giving gifts of money in red envelopes, and lighting fireworks to scare away evil spirits. Traditional foods eaten on the holiday include noodles, chicken, fish, dumplings, rice, and vegetables. The holiday ends with the Deng Jie (Lantern Festival) when everyone participates in a parade with paper lanterns, dancers, musicians, clowns, and a Chinese dragon.
The traditional New Year greeting is “Kung hay fat choi” or “Wishing you to prosper”. Nian hua is a special New Year’s picture of a fat baby and a carp, symbolizing wealth and abundance. Other symbols commonly seen during the holiday are dragons, which symbolize good fortune, and lions, which symbolize strength or energy. While the holiday lasts 15 days, the first three days of the celebration are generally regarded as the most important.

Books Used for Writing this Blog:

Guide to Celebrating and Holidays Around the World by Kathryn I. Matthew and Joy L. Lowe
Festivals Together: A Guide to Multi-Cultural Celebration by Sue Fitzjohn, Minda Weston, Judy Large

Stone Lions

Commonly seen in Asian furniture or souvenir shops are statues of what we westerners call “Fu Dogs”. In actuality, these are not dogs at all, but lions. In China they are known as “Chinese guardian lions”, “Imperial guardian lions”, or simply “stone lions”.

Stone lions are typically carved out of wood, decorative stone or precious metals and are seen as a status symbol in China. They normally stand as a pair, representing yin and yang, to guard the entryway of Imperial palaces, Imperial tombs, temples, and homes of the wealthy or social elite. In modern culture they also adorn the entrance of more banal establishments such as grocery stores and restaurants. Traditionally one lion is male and the other is female. The male is normally shown with one paw on an embroidered ball called a "xiù qiú" which shows the geometric pattern known as the “Flower of Life.” The female lion then has her paw resting on a cub, representing the cycle of life. Sometimes, one lion will have the mouth shut, while the other has it open representing inhalation and exhalation, or life and death.

Check out our collection of stone lion statues and figurines to add some ancient imperial vibes to your home!

Sources Used for Writing This Blog:
http://en.wikipedia.org/wiki/Chinese_guardian_lions

Antique Palanquin

In our Everyday Artifacts blog series, we feature antiques and collector’s pieces available for purchase at our storefront or online. Antiques and collectibles can make one’s home feel as though it’s a reliquary or museum. After all, interior design is not much different than curating an art exhibit. By carefully selecting home décor, one can transform furniture into great conversation pieces.

Today we’ll focus on our antique Palanquin. A Palanquin is known as a Sedan Chair in Western culture. Palanquins were normally used for transporting people of high societal status. Our Palanquin was recovered from a temple in Burma. It dates back to the Mandalay times (1752 – 1885). It was used to transport high-ranking Buddhist monks on their final journey to the funeral pyre. It is carved out of teak wood and is finished with gold paint and adorned with green and mirrored spangles. On each end, one can’t help but notice the fierce but beautiful nāga heads. A nāga is a mythological water snake. Nāgas are known as nature spirits, guardians of springs, rivers, and wells. They are often thought to have the ability to bring immortality. In Buddhism, it is said that The Buddha had his own nāga as a protector after he found enlightenment.

Owning a piece with such historical and religious significance gives one a sense of awe and responsibility. Collecting antiques is not only an aesthetic venture, but it ensures that artifacts are protected and cared for over time. This beautiful piece literally carried the bodies of men who devoted their lives to the search for enlightenment. Its cultural history is as beautiful as its appearance.

You don’t always have to go to a museum to see beautiful artifacts. Visit our storefront or click on the link here to see our Palanquin for yourself!
http://www.clippertrading.com/clipper/products/antique-palanquin

More on Nāgas and Palanquins:

http://en.wikipedia.org/wiki/N%C4%81ga
http://en.wikipedia.org/wiki/Litter_%28vehicle%29#In_Asia

Nats

Nats are animistic spirits worshipped in Burma. In all, there exist 37 nats, most of which suffered a violent death, much like martyrs found in Western religions. Similar to sainthood in Christianity, nats are designated for many different reasons. Worshippers believe that nats can help aid in important tasks and provide protection. Every Burmese town has a village guardian nat, known as an ywa saung nat. Within the village, a shrine is built called a nat sin. Here offerings are made, including coconuts and perfume. Nat festivals are commonly held throughout the year.

On our buying trips we often find original nat statues and bring them back to the storefront. Please call for availability.

Sources Used for Writing This Blog:
http://en.wikipedia.org/wiki/Nats_%28spirits%29,_outer
http://www.ancientbagan.com/spiritual-beings.htm

Antique Musician’s Surround

Today in our Everyday Artifacts blog series, we will focus on our antique musician’s surround.

Burmese musical instruments are known visually for their fanciful and intricate embellishments and producing sounds that are completely unfamiliar to the Western ear. The drum circle or, hsaing-waing, traditionally consists of twenty-one drums cradled by leather thongs on a circular wooden frame. The wooden frame, or musician’s surround, itself normally consists of eight detachable panels that are heavily decorated. The musician sits in the center of the circular surround to play the drums.

Our musician’s surround dates back to c. 1870 and is carved out of camphor wood covered with gold-leaf and inlaid glass. Originally used for social gatherings as a performance piece, it can still serve the same function today! Speak with us today to learn how you could install a piece of glass to create the perfect coffee table. Or, better yet, install drums to reclaim its lost voice.

You don’t always have to go to a museum to see beautiful artifacts. Visit our storefront or click on the link here to see our Musician’s Surround for yourself!
http://www.clippertrading.com/clipper/products/musicians-surround

More on Musician’s Surrounds:
**CITE BOOK**

A soloist playing the hsaing-waing:
http://www.youtube.com/watch?v=_8GZWRqbQQk

A full traditional Burmese orchestra, including the hsaing-waing:
http://www.youtube.com/watch?v=GS80l6Diqyc

Antique Thai Sukhothai Pottery

Sukhothai or Sangkhalok pottery is ceramic that was produced in the Sukhothai Province during the Sukhothai and Ayutthaya Periods in Thailand. (Early 1400s C.E. to late 1600s C.E.) The two major kiln sites were located in Sukhothai and Sri Satchanalai along the Yum River, which contained the best river clay in Asia. Nearly 1500 kilns eventually opened for use. The best potters of Asia would travel to these towns to learn the craft. Over time Sukhothai Pottery became increasingly popular in trade, and made its journey to places as far as the Philippines, Indonesia, and China. By the middle of the 1700s C.E., Sukhothai Pottery was all but discontinued due to wars between the kingdom of Ayudhaya and the Burmese, and the increased popularity of Chinese ceramics.

A piece of Sukhothai pottery is always one of a kind; molds were never used and no two pieces are ever identical. Every piece was made using tools that were common over 700 years ago. Today Sukhothai pottery is not readily available in the U.S., and it’s become highly collectible. Here at Clipper Trading we carry Sukhothai pottery; please visit or call for availability.

Sources Used for Writing This Blog:
http://www.wangdermpalace.com/exhibition/pottery/eng_sukhothai_pot.html
http://www.thaiantiques.info/sukhothaiceramics.htm
http://www.antiques.com/classified/1090230/Antique-Sukhothai-Pottery

Lacquerware

In Thai, lacquerware is called kreung kheun, or “works.” Lacquerware is inherently beautiful, but ultimately very utilitarian.

Thailand has a strong tradition of village crafts. One craft that has been made for decades is lacquerware. Lacquerware has been made in Thailand for almost 3,000 years. It was a product of the capital cities and was originally used to cover anything from furniture to hair combs to give everyday objects a smooth surface. Traditional Thai lacquer designs include flame, floral, and portrait patterns. Thailand’s lacquerware is mostly recognized by its characteristic red or black and gold colors.

In Thai, lacquerware is called kreung kheun, or “works.” Lacquerware is inherently beautiful, but ultimately very utilitarian. It’s light, flexible, waterproof, and hard; it also resists mildew and polishes to a smooth luster. Lacquerware comes from the resin of Melanorrhea usitata, a fairly large tree that grows wild, up to an elevation of 3,000 feet in the drier forests of the North. Lacquerware can have a wood, wicker, or bamboo base.

Stop by Clipper Trading Company today to see our beautiful selection of lacquerware!

Sources and Suggestions:

The Treasures and Pleasures of Thailand Best of the Best by Krannich, Ronald L.; Krannich, Caryl Rae.
Things Thai: Crafts & Collectibles by Danslip & Freeman

http://www.asianartmall.com/articlelacquer.htm

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